Film & TV.

Modelling and texturing the space rovers of Mars 1

How a small team faced a race against the clock

How Peter Rabbit was created with VFX and animation techniques

Harnessing the power of Nuke and Mari to recreate Beatrix Potter's beloved classic.

Making the impossible possible with virtual production at Imaginarium Studios

Imaginarium Studios is a pioneering company at the forefront of digital performance-capture. Learn about their cutting-edge production workflow here.

5 人の学生による VES アワード受賞作品『 Hybrids 』の VFX 制作

VFX ソフトウェアのユーザビリティ − 変化を求められるVFX 業界

Other industries have streamlined and simplified everything to make tech more accessible and intuitive. Why hasn’t the VFX industry?

Are you ready for the new era in filmmaking?

Over the past decade, digital technology has become the standard medium for cinematography. What can these developments of the past 10 years tell us about where VFX is headed for the future?

『ブレードランナー 2049 』 − アイコニックなルック制作の舞台裏

How Framestore helped craft the eerie, atmospheric aesthetic for neo-noir science fiction thriller, Blade Runner 2049.

『ブレードランナー 2049』 ディストピア的世界観のテクスチャリング

We catch up with Framestore about how they used Mari to create the visually-arresting aesthetic of Blade Runner 2049.

シャナラ・クロニクルズ: TVドラマシリーズのCG制作

We catch up with with Toronto-based studio SPIN VFX about how they used Mari and Katana to create the stunning CG for fantasy TV episodic: The Shannara Chronicles

From Russia with Love: VFX studio CGF

We speak to Russian VFX studio CGF, who are flying the flag for the Russian VFX industry and creating impressive work on a budget.

How Image Engine Used Nuke And Mari On Logan

Crafting a CG human: no easy feat.

Creating a CG Hugh Jackman realistic enough to convince an audience

In this video, VFX studio Image Engine explain how they created a full, digital double of Hugh Jackman for Marvel’s Logan, photorealistic to pore-level detail.